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The Phantom of the Opera
Andrew Lloyd Webber
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Tracklist
| 1-01 | Prologue: The Stage of the Paris Opéra, 1905 | 1:54 |
| 1-02 |
Overture
Vocals – Company Vocals [Auctioneer] – Barry Clark Vocals [Raoul] – Steve Barton |
3:05 |
| Act One - Paris 1861 | ||
| Scene 1 - The Dress Rehearsal of "Hannibal" | ||
| 1-03 |
Think of Me
Vocals [Carlotta] – Rosemary Ashe Vocals [Christine] – Sarah Brightman Vocals [Raoul] – Steve Barton |
4:09 |
| Scene 2 - After the Gala | ||
| 1-04 |
Angel of Music
Vocals [Christine] – Sarah Brightman Vocals [Meg] – Janet Devenish |
2:20 |
| Scene 3 - Christine's Dressing Room | ||
| 1-05 |
Little Lotte.../The Mirror... (Angel of Music)
Vocals [Christine] – Sarah Brightman Vocals [Phantom] – Michael Crawford Vocals [Raoul] – Steve Barton |
2:49 |
| Scene 4 - The Labyrinth Underground | ||
| 1-06 |
The Phantom of the Opera
Vocals [Christine] – Sarah Brightman Vocals [Phantom] – Michael Crawford Lyrics By – Charles Hart, Richard Stilgoe Lyrics By [Additional] – Mike Batt Music By – Andrew Lloyd Webber |
5:02 |
| Scene 5 - Beyond the Lake | ||
| 1-07 |
The Music of the Night
Vocals [Phantom] – Michael Crawford |
5:41 |
| Scene 6 - Beyond the Lake, The Next Morning | ||
| 1-08 |
I Remember.../Stranger Than You Dreamt It...
Vocals [Christine] – Sarah Brightman Vocals [Phantom] – Michael Crawford |
3:21 |
| Scene 7 - Backstage | ||
| 1-09 |
Magical Lasso...
Vocals [Ballet Girls] – Alison Townsend, Dinah Jones, Lynn Jezzard, Naomi Tate, Nicola Keen, Patricia Merrin, Sally Ashfield Vocals [Buquet] – Janos Kurucz Vocals [Madame Giry] – Mary Millar Vocals [Meg] – Janet Devenish |
0:59 |
| Scene 8 - The Manager's Office | ||
| 1-10 |
Notes.../ Prima Donna
Vocals [André] – David Firth Vocals [Carlotta] – Rosemary Ashe Vocals [Firmin] – Patricia Richards Vocals [Giry] – Mary Millar Vocals [Meg] – Janet Devenish Vocals [Phantom] – Michael Crawford Vocals [Raoul] – Steve Barton |
10:55 |
| Scene 9 - A Performance of "Il Muto" | ||
| 1-11 |
Poor Fool, He Makes Me Laugh
Vocals – Company Vocals [Carlotta] – Rosemary Ashe |
3:06 |
| Scene 10 - The Roof of the Opera Hosue | ||
| 1-12 |
Why Have You Brought Me Here... / Raoul, I've Been There...
Vocals [Christine] – Sarah Brightman Vocals [Raoul] – Steve Barton |
3:11 |
| 1-13 |
All I Ask of You
Vocals [Christine] – Sarah Brightman Vocals [Raoul] – Steve Barton |
4:14 |
| 1-14 |
All I Ask of You (Reprise)
Vocals [Phantom] – Michael Crawford |
3:19 |
| 2-01 | Entr'acte | 3:35 |
| Act Two - Six Months Later | ||
| Scene 1 - The Staircase of the Opera House, New Year's Eve | ||
| 2-02 |
Masquerade / Why So Silent...
Vocals – The Full Company Vocals [Giry] – Mary Millar Vocals [Raoul] – Steve Barton |
6:24 |
| Scene 2 - Backstage | ||
| Scene 3 - The Manager's Office | ||
| 2-03 |
Notes... / Twisted Every Way...
Vocals – Company Vocals [André] – David Firth Vocals [Carlotta] – Rosemary Ashe Vocals [Christine] – Sarah Brightman Vocals [Firmin] – Patricia Richards Vocals [Giry] – Mary Millar Vocals [Phantom] – Michael Crawford Vocals [Piangi] – John Aron Vocals [Raoul] – Steve Barton Vocals [Reyer] – Paul Arden Griffith |
9:41 |
| Scene 4 - A Rehearsal for "Don Juan Triumphant" | ||
| Scene 5 - A Graveyard in Perros | ||
| 2-04 |
Wishing You Were Somehow Here Again
Vocals [Christine] – Sarah Brightman |
3:30 |
| 2-05 |
Wandering Child... / Bravo, Monsieur...
Vocals – Company Vocals [André] – David Firth Vocals [Christine] – Sarah Brightman Vocals [Fireman] – Andrew Golder Vocals [Firmin] – Patricia Richards Vocals [Passarino] – James Patterson Vocals [Phantom] – Michael Crawford Vocals [Piangi] – John Aron Vocals [Raoul] – Steve Barton |
6:26 |
| Scene 6 - Before the Première | ||
| Scene 7 - "Don Juan Triumphant" | ||
| 2-06 |
The Point of No Return
Vocals [Christine] – Sarah Brightman Vocals [Phantom] – Michael Crawford |
5:33 |
| Scene 8 - The Labyrnith Underground | ||
| 2-07 |
Down Once More... / Track Down This Murderer...
Vocals – Full Company Vocals [Christine] – Sarah Brightman Vocals [Phantom] – Michael Crawford Vocals [Raoul] – Steve Barton |
11:51 |
| Scene 9 - Beyond the Lake | ||
Companies, etc.
- Phonographic Copyright (p) – The Really Useful Group PLC
- Copyright (c) – The Really Useful Group PLC
- Marketed By – Polydor Ltd.
- Distributed By – Polydor Ltd.
- Made By – PMDC, France
- Recorded At – EMI Studios
- Recorded At – Audio International Studios
- Edited At – Master Room
Credits
- Music By – Andrew Lloyd Webber (tracks: 1-1 to 1-5, 1-7 to 2-7)
- Lyrics By – Charles Hart (tracks: 1-1 to 1-5, 1-7 to 2-7)
- Lyrics By [Additional] – Richard Stilgoe
- Performer [Christine Daaé] – Sarah Brightman
- Performer [The Phanton of the Opera] – Michael Crawford
- Performer [Raoul, Vicomte De Chagny] – Steve Barton
- Performer [Auctioneer] – Barry Clark
- Performer [Carlotta Giudicelli] – Rosemary Ashe
- Performer [Don Attilio (In 'Il Muto')/Passarino] – James Patterson
- Performer [Flunky/Stagehand] – Justin Church
- Performer [Innkeeper's Wife (In 'Don Juan Triumphant')] – Jill Washington
- Performer [Joseph Buquet] – Janos Kurucz
- Performer [Madame Firmin] – Patricia Richards
- Performer [Madame Giry] – Mary Millar
- Performer [Meg Giry] – Janet Devenish
- Performer [Monsieur André] – David Firth
- Performer [Monsieur Firmin] – John Savident
- Performer [Monsieur Lefèvre] – David Jackson
- Performer [Monsieur Reyer] – Paul Arden Griffith
- Performer [Page In 'Don Juan Triumphant'] – Janet Howd, Sue Flannery
- Performer [Policeman] – Mostyn Evans
- Performer [Porter, Marksman/Fop (In 'Il Muto')] – David de Van
- Performer [Porter/Fireman] – Andrew Golder
- Performer [Princess (In 'Hannibal')] – Maria Kesselman
- Performer [Slave Master (In 'Hannibal')] – Peter Bishop
- Performer [The Ballet Chorus of The Opera Populaire] – Alison Townsend, Dinah Jones, Lynn Jezzard, Naomi Tate, Nicola Keen, Patricia Merrin, Sally Ashfield
- Performer [Ubaldo Piangi] – John Aron
- Performer [Warderobe Mistress/Confidante (In 'Il Muto')] – Peggy Ann Jones
- Conductor – Michael Reed
- Directed By – Harold Prince
- Bass – Arthur Watts, Chris Lawrence, Frank Clarke, Nick Worters, Paul Cullington
- Bass, Bass Guitar – David Rose
- Bassoon – Peter Whittaker
- Cello – Chris Green, Earnest Greaves, Justin Pearson, Norman Jones, Robert Norris, Robin Firman
- Clarinet – Steve Pierce
- Flute, Piccolo Flute – Alexa Turpin
- Flute, Saxophone, Clarinet – Chris Gradwell
- Harp – Sheila Bromberg
- Horn – Daniel Emond, Derek Taylor, Keith Riby, Michael Dore, Nicholas Busch
- Keyboards – Callum McLeod, Mike Stanley, Paul Maguire, Rod Argent
- Leader – Perry Montagu-Mason
- Oboe, Cor Anglais – Keith Marshall
- Orchestrated By – Andrew Lloyd Webber, David Cullen
- Percussion – Dave Locke, Stan Barratt
- Presenter – Cameron Mackintosh, The Really Useful Theatre Company Ltd
- Producer [Original London Cast Recording] – Andrew Lloyd Webber
- Stage Manager, Choreography – Gillian Lynne
- Supervised By [Production Musical] – David Caddick
- Trombone – Richard Wall
- Trumpet – Graham Ashton, Howard Evans, Norman Archibald
- Viola – Alan Smyth, Bill Jones, Brian Mack, David Bellman, George Robertson, Jeremy White, John Meck, Ken Essex, Linda Court, Michael Cookson, Norris Bosworth, Roger Welch
- Violin – Alison Kelly, Celia Sheen, Colin Staveley, David Randall, Frances Walker, Geoffrey Grey, Gordon Buchan, Hans Geiger, Homi Kanga, John Willison, Ken Hogg, Laurie Lewis, Mark Berrow, Mark Thomas, Bill Reid
- Design – Dewynters Limited
- Design [Production] – Maria Björnson
- Engineer – Martin Levan
- Lighting – Andrew Bridge
- Liner Notes – Andrew Lloyd Webber
- Sound Designer – Martin Levan
- Text By [Book By] – Andrew Lloyd Webber, Richard Stilgoe
Notes
This original London cast recording was the first in British musical history to enter the charts at number one.
Written by Andrew Lloyd Webber during his marriage to Sarah, The Phantom of the Opera is perhaps the musical theatre production that best showcases Sarah’s uncannily broad vocal range.
Having originated and defined the female lead role, it’s not surprising that Sarah will probably always be regarded as the quintessential Christine in this landmark musical.
Sarah premiered the role at Her Majesty's Theatre in London on Oct 9, 1986 and at the Majestic Theatre on Jan 26, 1988 in New York.
Since then, The Phantom of the Opera has won over 50 major theatre awards.
These include 7 Tony Awards (including Best Musical), 3 Olivier Awards (including Musical of the Year), 3 Outer Critic Circle Awards (including Best Musical), 7 Drama Desk Awards and an Evening Standard Award.
Issued in a 2CD fatbox jewelcase.
Written by Andrew Lloyd Webber during his marriage to Sarah, The Phantom of the Opera is perhaps the musical theatre production that best showcases Sarah’s uncannily broad vocal range.
Having originated and defined the female lead role, it’s not surprising that Sarah will probably always be regarded as the quintessential Christine in this landmark musical.
Sarah premiered the role at Her Majesty's Theatre in London on Oct 9, 1986 and at the Majestic Theatre on Jan 26, 1988 in New York.
Since then, The Phantom of the Opera has won over 50 major theatre awards.
These include 7 Tony Awards (including Best Musical), 3 Olivier Awards (including Musical of the Year), 3 Outer Critic Circle Awards (including Best Musical), 7 Drama Desk Awards and an Evening Standard Award.
Issued in a 2CD fatbox jewelcase.